While I’ve certainly had my share of unsuccessful pitches, it’s fun every once in a while to spotlight one that actually got picked up. Who knows, maybe an aspiring creator can pick up some pointers from reading through these things. So anyway, here’s another of my successful pitches, this time for a short story that appeared in Dark Horse Presents #4 (vol. 2), which was published in September of 2011.
I think I first saw the news about the return of Dark Horse Presents to print in late 2010/early 2011. The original black-and-white DHP anthology that started in 1986 was amongst one of the first indie comics I ever bought. During its historic 162 issue run, the book featured pretty much anyone who’s anyone in comics, and introduced me to so many fantastic creators and characters, most notably Paul Chadwick’s Concrete. Needless to say, I loved the original series, and was excited about the possibility of being involved with the newest incarnation of the series.
There were no submission guidelines for DHP on the Dark Horse website, but I remember reading an article where publisher Mike Richardson mentioned he was personally editing the book. So I drafted a brief inquiry email, introducing myself to him and asking if he would be open to a story pitch. This was in February, 2011. Mike responded promptly – honestly, much to my surprise – and indicated he was willing to entertain a pitch for a creator-owned story.
At this point, I had been collaborating with artist Victor Santos on a couple of successful Witch & Wizard series at IDW, and really enjoyed working with him. So I dropped him a line with an idea for a short autobiographical story, and he was game. He drew and colored the first 2 pages on spec, I lettered it, created a PDF file containing the story summary and sample pages, and sent it to Mike.
Here is the pitch:
A DHP proposal by Dara Naraghi
Art by Victor Santos
An 8-page autobiographical story set shortly after the tumultuous Islamic revolution in Iran, “The Protest” is a remembrance of my childhood during uncertain times, a school bully, and the unspoken bond between us in the face of a vile school principal.
After a brief overview of the Iranian revolution of 1979, the narrative shifts to a first hand account of my trials at middle school, navigating a new world of religious studies, unqualified educators, and our class bully, Hassan.
Then one day, our entire school is unexpectedly called into the yard. The principal informs us that we are to be shipped downtown to Azadi Square to take part in a large anti-West protest. As with all things dictated by the system, we have no choice in the matter. As we are lead to the main street where buses await us, my best friend and I talk in panicked whispers. How long will we be at this rally? What if we get lost? What will our parents think when we’re not home as expected?
Into our crisis comes an unexpected savior: Hassan, the bully. “Find a place to hide,” he mutters, before running out of line and directly into the middle of traffic. Cars screech to a halt, horns blare, and the principal and teachers run into the street to retrieve him. In the ensuing chaos, my friend and I make our move. He dives under a parked car, while I duck into a nearby storefront. My heart pounding, I stay hidden in a corner until I hear the sound of the buses departing. Emerging from our hiding spots, we both run home. All the while, I wonder what drove Hassan to help us like that.
The next day at recess, I press Hassan for an answer. He merely shrugs, calling the principal an idiot, and mentioning how he hates it when teachers push us kids around. The incident was never spoken of again. And while he still bullied us around, it seemed to me that it was almost half-hearted. Looking back on it now, I’d like to think helping us out on his own terms, and having earned our gratitude, he liked the feeling. And we, in turn, had gotten a glimpse into the reality of his life, constantly berated by parents and teachers who considered him a failure.
But in the end, we were all just kids, trying to make sense of a world that had turned upside down on us. A victory was a victory, even one where the bully saved the day.
As you can see, I tried to keep the summary brief, since it was only for an 8-page story. Still, I think I could have probably pared it down some more, but so it goes. I’ve never been good at knowing how much is too much and how little is too little. Luckily, it seemed to have worked for Mike. Also, I included a brief “list of credits” along with the summary, to help sell ourselves better. Here it is:
Creative Team Selected Bibliography:
Dara Naraghi (writer)
• Lifelike OGN (creator-owned, IDW)
• Fractured Fables (Image)
• James Patterson’s Witch & Wizard (IDW)
• Terminator Salvation movie prequel (IDW)
• DC Universe Holiday Special 2010 (DC)
Victor Santos (artist)
• Filthy Rich OGN (Vertigo)
• James Patterson’s Witch & Wizard (IDW)
• Mice Templar (Image)
• Roshomon (pitch to Chris Warner at Dark Horse)
And finally, here’s the first of two pages that I included with the pitch:
After about 3 weeks, I sent a brief and friendly follow up email, and then another several weeks after that. I finally heard back from Mike after about 2 months, and he indicated he liked the idea and would like to use the story in DHP. The next step was to sign the contracts and for Victor and I to finish the remaining pages. Once I got the pages uploaded to their FTP, I figured it would be months before we were slotted for an issue. But as luck would have it, another creative team missed a deadline, and since our story was ready to go, we got scheduled on short notice for issue #4.
Aside from being really proud of how this story turned out, I have to say that it was quite a thrill to be published in a series that was hugely influential in my early comic book reading days.