A couple of links related to the business side of comics…
Publishing Seasons – First Second editor Gina Gagliano explains why publishing houses offer their catalogs in intervals broken into “seasons.”
Winter: January through April
Spring: May through August
Fall: September through December
If you publish your book with a major publisher, your book will one day be assigned a season of its own.
Why is this?
Near Misses From My DC Era – Writer Brian Wood shows how even successful, popular creators can pitch projects in vain, and even when you think you have a greenlight and your editor loves the book, it can still be scrapped for capricious reasons.
Rima The Jungle Girl – I was asked by Azzarello to write a miniseries for his First Wave thing, and I wrote the outline and met with the editor and got that approved and all seemed cool, but the green light to start scripting never came, and to this day I have no idea why. I like the story, and since I wasn’t paid anything by DC for the outline the story’s mine, so maybe I’ll find a use for it.
That last sentence is what interests me. Good ideas are good ideas, regardless of their initial failure in finding a willing publisher. As long as there’s no contract or NDA involved, I think creators should definitely keep all options open and revise their company pitches into creator-owned books. There are many examples of this in the field, with one that comes to mind is writer J.M. DeMatteis retooling his rejected “death of Captain America” story from the 80s into the mini-series The Life and Times of Savior 28 decades later.
And on a more personal footnote, back during my own failed attempts to pitch new series treatments to DC last year, one of the characters I was interested in was Rima The Jungle Girl. I was told at the time that another writer had plans for her, so that particular character was off the table. Now, this was after the whole “First Wave” series of pulp books, so I don’t think it was Azzarello or Wood, but I do find it amusing.