Review: Paris, Je T’aime (movie)

paris_movie-754580I really enjoyed Paris, Je T’Aime, a 2006 anthology movie featuring 18 vignettes set in (and inspired by) Paris. It features an ensemble cast of American, British and French actors (Bob Hoskins, Natalie Portman, Elijah Wood, the ubiquitous Gérard Depardieu, and many more) and directors (Alfonso Cuarón, Gus Van Sant, Wes Craven, Bruno Podalydès, The Coen Brothers, etc.)

As with any anthology, there are hits and misses, but the vast majority of the shorts were well done. A few of my favorites:

Parc Monceau – A conversation between Nick Nolte and a young woman, filmed in a single continuous shot, with a very clever, funny, and unexpected ending.

Loin du 16e – a heartbreaking piece about an immigrant nanny.

Quartier des Enfants Rouges – notable not so much for the story itself, but actress Maggie Gyllenhaal delivering her entire dialogue in French, with a great accent to boot.

14e arrondissement – a bittersweet story as told in broken French by a middle-aged American tourist (actress Margo Martindale, who went on to win an Emmy for her role as Mags Bennett on Justified, one of my favorite shows). She’s making a “book report” of sorts for her French class about her first trip abroad, and it’s simply emotive and quietly heartbreaking.

Watching the movie, it suddenly occurred to me that this is what a Lifelike movie would look like, were such a thing ever to come about. The individual films are all very short, 5-10 minutes each. And they’re filmed in a variety of styles and techniques.

The producers of this film followed it up with New York, I Love You in 2008, but I didn’t enjoy that one quite as much. It just didn’t have the same charm and ambiance, probably because I romanticize Paris way more than NYC.

Anyway, I highly recommend this movie.

(A version of this review originally appeared on my Ferret Press blog, January 2008.)

Like this post? Share it!

    Review: The Cartoonist: Jeff Smith, BONE and the Changing Face of Comics

    The_CartoonistAnother library rental, and a very enjoyable one at that, The Cartoonist: Jeff Smith, BONE and the Changing Face of Comics is a 2009 documentary about local boy made good, Bone creator and fellow Columbusite, Jeff Smith.

    As you would expect with any documentary, this one charts Smith’s career, from his childhood doodles to his college days, animation career, and self-publishing Bone. Along the way, we’re treated to interviews with Smith himself, as well as a friends and fellow cartoonists like Paul Pope, Coleen Doran, Scott McCloud, Harvey Pekar, and Terry Moore. Oh, and of course Lucy Caswell, of the Ohio State University Cartoon Library & Museum, who was one of Smith’s early supporters and mentors.

    There was a fair amount of time spent on Smith’s seven years with Character Builders, the animation house he co-founded with two friends after graduating college. It was fun seeing snippets of commercial animation from the trio, including an opening sequence for a planned Jack Hanna animal show called Super Safari, as well as ads for Warner Cable (featuring the superhero Warner Man) and White Castle (in claymation, no less!). Smith credits the discipline learned from years of doing animation, both in terms of craft (learning to draw every character consistently and with varying emotions) and business (heeding deadlines, interacting with customers and vendors professionally) as one of the reasons for his success as self-publishing.


    Smith himself talks about his early influences (Carl Bark’s Uncle scrooge, Walk Kelly’s Pogo), as well as the seminal comics from 1986 that opened his eyes to the potential of the medium: Maus, Watchmen, and The Dark Knight Returns. (Quick digression: I was lucky enough to catch a talk by Smith at CCAD about 10 years ago, where he spoke passionately about his love of comics, and incorporated dozens of images from the aforementioned books in his presentation to explain the intricacies of the craft.) Parts of the interview are also set in the Hocking Hills region of Ohio, specifically Old Man’s Cave, wherein Smith talks about the influence of that specific geographic region on his art and the settings of Bone.


    Smith’s wife, and business partner Vijaya Iyer is also featured. In a humorous clip, he explains how he talked her into quitting her promising Silicon Valley job to help him make comics. In another interesting anecdote, talking about the genesis of his new series RASL, Smith mentions coming up with the basic premise back in 2001, and running it by his friends Paul Pope and Frank Miller. At one point, they were going to work together on a science fiction anthology called Big Big, with RASL being Smith’s contribution. Alas, scheduling conflicts kept the project from ever materializing, but that would have been a trip, no?


    Oh, and on a personal note, it was cool to see my local comic shop of choice, The Laughing Ogre, featured in several of the shots in the documentary. Ogre employee Lloyd even makes an appearance in a segment set at the Smith/McCloud talk at OSU’s Mershon Auditorium. Speaking of which, most of that talk (which I had the pleasure of attending) is included on the DVD as a bonus feature. There’s also a mini-feature where Smith discusses his new series, RASL, talking about his research into both the real science and fringe science that makes up the backbone of the story.

    For fans of comics, Bone and/or Jeff Smith, I’d definitely recommend this documentary. It’s professionally produced, well written, and contains good interviews, with some clever bits as well (like incorporating black & white film footage as humorous interstitials).

    (A version of this review originally appeared on my Ferret Press blog, February 2011.)

    Like this post? Share it!

      Claire’s Day Children’s Book Festival

      I’m thrilled to be a guest at the 13th annual Claire’s Day, Northwest Ohio’s largest children’s book festival. The event will take place this Saturday, May 17, at the Maumee-Toledo-Lucas County Public Library in Maumee, Ohio. And best of all, it’s free!


      The festival features children’s book authors and illustrators from throughout the Midwest, plus a crafts area, teen tent, live music, and more. A highlight of the day is the C.A.R.E. Awards (Claire’s Awards for Reading Excellence) given to children nominated by their principals as being the most improved readers in their schools.

      As part of the event, I’ll be doing presentations on Friday at 2 Toledo-area schools. I’m looking forward to talking with all the students, and will post some pictures and a write-up after the events.

      Like this post? Share it!

        Indie Cover Spotlight: Owly

        Since I’ll be appearing at the Claire’s Day children’s book festival this Saturday, I’ve decided to make this week’s theme for ICS all-ages comics. let’s kick it off with Andy Runton’s wonderful series of graphic novels, Owly:


        These silent tales of Owly and his friends are charming, clever, and just plain fun. Highly recommended!

        Like this post? Share it!

          Review: Shutterbug Follies

          shutterbug_follies_coverShutterbug Follies, written and drawn by Jason Little, Doubleday Press, 2002.

          This was a fun little caper, with a mystery that grabs your attention, and a female protagonist who is interesting in her eccentricities and single-mindedness. Bee is just out of high school, a self-proclaimed artist, and somewhat of a snoop. She becomes intrigued by a photo artist whose oeuvre is realistic portraits of crime scenes…except that she thinks there’s more to his story than meets the eye. Despite some outlandish plot twists, I found myself caught up in the mystery. The ending was a little too “TV movie of the week” for my tastes, though. Also, the plot hinges heavily on a couple of newly-archaic technologies (1-hour photo development shops and pagers!) but for me, that actually added to the charm of the book.


          Jason Little’s artwork elevated this graphic novel above the uneven plot, with beautiful, clean lines and expressive flat colors. It’s really a pretty package, and his accessible, cartoony style juxtaposes oddly against some of the story’s more gruesome images, but again, I think that works in its favor. Overall, a fun, light read.

          Little’s latest graphic novel is Motel Art Improvement Service, featuring the same protagonist, Bee. While not bowled over by Follies, I liked it enough (and the premise of the new book is quirky enough) that I’ll probably give it try if I can grab a discounted copy.

          (A version of this review originally appeared on my Ferret Press blog, February 2011.)

          Like this post? Share it!

            Indie Cover Spotlight: Elementals #9 (vol. 1)

            Welcome back to our spotlight on independent comic book covers. This week’s theme will be Bill Willingham’s seminal work, the Elementals:


            Most of the issues in volume 1 of the series had wrap-around covers, as seen here. Given the team’s status as celebrities, this particular homage to the famous Beatles album cover fit in quite well with the book’s theme.

            Like this post? Share it!

              Indie Cover Spotlight: Undertow #1

              Wrapping up a look at some newer comics, here’s Undertow, from Image Comics:


              “Atlantis is the world superpower, and Redum Anshargal is its worst enemy. If you want to break free of the system, he can offer you a place at his side, exploring the wild surface world in his watertight city barge The Deliverer. He and his hostage-protege Ukinnu Alal hunt the Amphibian, a legend that could be the key to an air-breathing life on land.”

              Cover art by Artyom Trakhanov.

              Like this post? Share it!